Published: 2024-01-25

Editorial

Letter from the editors

Hal Young, Rebecca Cavanagh, Wesley Kirkpatrick
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Feature Articles

‘Every Kaiju Movie ever made’: fan collecting and curation of the kaijū film

Steven Rawle
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Rules Were Meant to be Broken: Len Cella’s Moron Movies (1983) Provokes Love, Hate, and Confusion from the MTV, YouTube, and TikTok Generations

Ted Fisher
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Close But No Cigar: Latin American Films Awarded, Produced, But Considered?

Karen Sztajnberg
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Blood as a Fashion Statement: On the Trend of ‘Abjection Chic’ in Contemporary Horror Cinema

Milo Farragher-Hanks
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Jackson Jickson : exposed insularities in guerrilla filmmaking from ‘The Trinity Island’

Dr María Fernanda Miño Puga
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The Voice of Meiko Kaji in 1970s Japanese Exploitation Cinema

Ash Johann Curry-Machado
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Curating Folk Horror: Anti-Canonisation, Critical Transnationalism, and Crossover Festival Programming

Cüneyt Çakırlar
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The Cult Afterlife

Polly White
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Abjection, postfeminism and the makeover in Miss Congeniality (2000)

Clementine Vann-Alexander
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Book Reviews

Review: Erika Balsom, TEN SKIES

Richard Bolisay
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Review: Claire Lebossé and José Moure (eds.), Modernités de Charlie Chaplin: Un Cinéaste dans l’Œil des Avant-Gardes

Wesley Kirkpatrick
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Review: Neil Archer, Cinema and Brexit: The Politics of Popular English Cinema

Dean Richards
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