The Inferno journal has been renamed the St Andrews Journal of Art History and Museum Studies. While maintaining its mission to publish original research conducted by postgraduate students from the UK and abroad, this 13th volume represents a renewed commitment to communicating innovative works of interest to St Andrews School of Art History postgraduates.

Editorials

Editor's note and contents

2-3

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Contributors

103-104

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Articles

The map as political agent: destabilising the North-South model and redefining identity in twentieth-century Latin American art

Nicole De Armendi

5-17

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A new addition to the Oeuvre of Vincenzo Catena

Anik Waldeck

19-24

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Crime or creation?: Iconoclasm in the name of art

Helen E. Scott

25-34

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Antiquity, architecture and country house poetry: Sir John Clerk and the Country Seat

Nicholas Uglow

35-45

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The sensual banquet scene: sex and the senses in Eighteenth Dynasty Theban tomb paintings

Chloe Kroeter

47-56

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Through Japanese eyes: the British reception of Chinese painting

Michelle Ying-Ling Huang

57-68

Renewal in the new Hermitage: the restoration of Leo von Klenze's galleries in the State Hermitage Museum

Amy Erica Digout

69-79

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Considerations on the everyday as an aesthetic category

Abigail Susik

81-85

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Huron-Wendat historical visual arts tradition: symbol of cultural continuity and autonomy in the past, source of inspiration in the present

Anne de Stecher

87-94

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Perception and the problem with preserving modernist architecture: 2 Columbus Circle

Lauren Vollono

95-105

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